We drown with history

This “vision” is one of the 30+ that we’ll publish here in the next months. Most of them will go into Life Plus 2 Meters, Volume 2 (expected publication: Dec 2017). We hope that you will comment on the message, suggest ways to sharpen the narrative, and tell us how the story affects your understanding of adapting to climate change.

Most importantly, we hope that you enjoy reading these stories and share them with your friends and family. —David Zetland (editor) and the authors

The Caribbean water remains piss warm despite the cool barrier of the touring party’s skin suits. Hope floats next to Envy floats next to Saul, their heads colorful specks amongst the water. Their tour guide hovers behind them, adjusting their oxygen tanks for the transition between their home marshes and the deeper waters. He stays patient while they try and adjust to the warmth.

When he dives, the party follows.

Of the three, Hope is the first to adjust to the dust and blue. Stray bubbles from the sandy base press up against her collarbone. The further she swims, the more intimately she recognizes the sweat sticking her suit to her back. It doesn’t distract her, though, from the sight of women scattered across the distant ocean floor.

They lie with their backs on the sand, faces worn away but breasts preserved, pert and tattooed with the skeletons of dead coral. The tour guide glides over them, pointing out the strays that have slipped away from the crowd. The stone of their skin is white and cracking.

Hope grimaces.

“We don’t know if they ever served a purpose,” the tour guide says through their headsets, “but they migrate with the tide. My colleagues theorize that this was some sort of mausoleum.”

Hope can’t see his eyes behind his goggles, can only notice the cant of his head. Down and to the left of his floating form, the women pile atop one another like resting crabs.

The tour guide leads them on.

The water warms past piss and becomes an unclean jacuzzi. Hope gathered bubbles around her throat like a necklace and slows each of her breaths. Envy swims ahead of her, making a game of fleeing Saul’s outstretched hands for distant, sunken upshots of land.

“We’re nearing the edge of the Grenadian reef, which means we’re close to the floating islands, the tour guide signs. We can’t board them – the plastic pieces are too unstable – but you’ll be able to see their prisms.”

Hope follows his flipping feet, spots a drowning bicycle, and carries on.

The statue that marks the edge of the Grenadian reef wears a broad, stone hat; the tour guide points it out as they draw nearer, though Hope’s gaze is hampered by muck and her companions at play. She spots the floating islands before the statue itself; their refractive plastic makes them skylights, amalgamations of color glancing off of the statue’s bowed head.

“We call her Mary,” the tour guide’s voice whispers in their ears.

Hope paddles closer, ignoring the pressure building in her chest and the drift of her party. She makes eye contact with the statue’s skull. The bleached hat has spared the bulk of Mary’s face, but the hole that is her mouth has been stuffed with a plastic bag.

Hope reaches out and removes the bag. She leaves a stream of bubbles in her wake.

Above her, the light shifts. Mary’s face melts from white to gray, purple, and green.

“How’d she get here?” Hope asks the tour guide.

“Like the rest of them did,” he replies, several heartbeats later. “When the world is drowning, the wisest are the ones who learn to drown with it.”

Celia Daniels is 22 years old and is pursuing a Masters in Literature at the University of Toledo. She’s fascinated by a burgeoning science fiction subgenre known as solarpunk. Her creative works have been published in Road Maps and Life Rafts, Magic Jar, Entropy, The Molotov Cocktail, Retreat West, and others.